| 31. | | For $45 Per Month, All the Coffee You Can Drink (businessweek.com) |
| 93 points by sschwartz on April 16, 2014 | 115 comments |
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| 32. | | Qt Creator 3.1.0 released (digia.com) |
| 87 points by conductor on April 16, 2014 | 34 comments |
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| 78 points | parent |
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| 34. | | Why We Do All-Hands Support at Olark (olark.com) |
| 92 points by bcx on April 16, 2014 | 49 comments |
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| 35. | | Ask HN: If you worked with a grad from a code bootcamp, how effective were they? |
| 91 points by glaugh on April 16, 2014 | 82 comments |
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| 36. | | A collection of not so obvious Python stuff (ipython.org) |
| 88 points by adamnemecek on April 16, 2014 | 15 comments |
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| 38. | | Why We Don't Invite Groups to Interviews (ycombinator.com) |
| 80 points by danielsiders on April 16, 2014 | 45 comments |
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| 40. | | Creating maps using R, Deedle and F# type providers (clear-lines.com) |
| 71 points by tellarin on April 16, 2014 | 16 comments |
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| 41. | | Spotify Starts Shutting Down Its Massive P2P Network (torrentfreak.com) |
| 70 points by asaddhamani on April 16, 2014 | 25 comments |
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| 42. | | Mint won't give a clear answer about Heartbleed (mint.com) |
| 71 points by swandog46 on April 16, 2014 | 32 comments |
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| 43. | | Microsoft Offers Office Online apps via Chrome Web Store (computerworld.com) |
| 70 points by petrel on April 16, 2014 | 48 comments |
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| 45. | | Google Revenue Jumps, But Misses Forecasts (nytimes.com) |
| 68 points by mindcrime on April 16, 2014 | 55 comments |
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| 46. | | Android OpenSSL has heartbeats disabled (code.google.com) |
| 67 points by sanxiyn on April 16, 2014 | 12 comments |
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| 47. | | Why I Went From Python To Go (and not Node.js) (2012) (jordanorelli.com) |
| 61 points by krat0sprakhar on April 16, 2014 | 71 comments |
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| 55 points | parent |
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| 50. | | Heartbleed hack case sees first arrest in Canada (bbc.co.uk) |
| 56 points by stehat on April 16, 2014 | 33 comments |
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| 52. | | YC emails are sent |
| 61 points by zekenie on April 16, 2014 | 80 comments |
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| 53. | | Show HN: JustReachOut – Forget PR Firms, a tool to pitch reporters yourself (justreachout.io) |
| 58 points by dmitrydragilev on April 16, 2014 | 70 comments |
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| 56. | | Chris Anderson on drones and open source hardware (shoplocket.com) |
| 58 points by dmix on April 16, 2014 | 10 comments |
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| 58. | | WordPress 3.9, "Smith" (poststat.us) |
| 49 points by krogsgard on April 16, 2014 | 31 comments |
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Even with our local (L.A.) film festival, we had a ton of submissions. I could cut 80-90% of them very easily. They just weren't very good. We got a lot of submissions that simply weren't competent, they had multiple fundamental flaws.
There's always a few that are easy calls. Very good work, and you know you can build a night around them. Then there's some that are obviously good enough to screen, if not to be the keystones.
Then there's the borderliners, and that's where you spend all your time. Trying to make those choices. Sometimes it literally comes down to how long a movie is and if it will fit in the slot you have to fill. Sometimes it's how a given movie will play off the others you've decided on already. It's not completely "fair", but it's how it is sometimes.
But you know, even those awful films (and some of them are really awful, worse than you've ever seen)... They represent a massive amount of work. And perseverance. And dreaming. And I always respected that, and it sucked to reject even the worst. These were people who DID something with their time, and I hated hated hated sending the rejection emails. Even the worst filmmakers deserved some respect for having actually done it.
It's important to separate the work from the person who did it. The person who did it almost always deserves respect and admiration.