Same. Want to update the firmware in the computer? Sure but you'll need to unscrew the driver's seat, unscrew the desktop PC sized ECU, unscrew its four pencil-thick battery connections, unplug its 27 connectors, unscrew the 50 screws in three slightly different sizes holding the top cover on, remove the heatsinks, unscrew the eight screws holding the motherboard in, and desolder both the 144-pin 68HCxxx chips that do all the thinking.
There's a big custom chip made by GEC Plessey that has a small flash chip beside it, but it's totally undocumented. They also make the custom chips in the door, window switch, and seat outstations. I found some very very general documentation about them but nothing enough to start picking the firmware apart.
They did. AND, OR and NOT were bitwise operations as well as conditional operators. E.g. POKE 254, PEEK(254) AND 127 would turn off bit 7 of memory location 254 without affecting other bits.
I did actually know that Commodore BASIC had it but had forgotten. I don't think I'd ever used GW-BASIC or QBASIC, weren't they on PCs?
Apple IIs weren't really a thing over here although the very first home computer I ever used was an Apple II belonging to a friend of my mother's - Tony van der Kuyl, father of video games magnate Chris van der Kuyl ;-)
> send miniature programs to the disk controller to have it seek out the precise record you're looking for
A very long time ago, a guy I used to work with was porting a sales and stock control database he'd written on the Commodore PET to a PC. By then he had a 286 with a 20MB hard disk and 2MB of RAM to play with - whopping stuff! - but his original program would assemble up a query routine, and transmit it to the 6502 in the PET disk drives over HPIB. Then it would chunter away discovering the records it needed to construct a reply while the host computer could continue working as normal. It was absolutely genius stuff, and it made the whole system seem really responsive even though in reality it was pretty slow.
I grew up driving tractors and diggers, it's a very similar thing. Up and down, up and down, Perkins AD3 at 1700rpm for 540rpm PTO shaft speed, it all sounds like a mantra. Write a prayer on a strip of paper, wrap it round the shaft, offer up a prayer nine times a second.
I'm not a Buddhist either but the Tao helps me find the Way to accept diesel being nearly two quid a litre right when the good weather starts and all the fields need worked.
No-one distracting me, no-one can phone me, nothing to do but sit there and look out of the window, try and keep the nose between the ditches and the oily side facing the ground.
Then when I get home I just need to type it all in.
> Who is actually writing this very concerning California Internet legislation, which will ultimately affect the entire nation and world?
Why would it affect the entire world?
One technological backwater is Having A Massive Sad over people using rude words on the internet, so they think they can tell everyone else what do to?
This was the whole premise of Steam. Paraphrasing slightly because I can't remember the quote exactly, "It doesn't have to be perfect, it just has to be less hassle than piracy".
Even Youtube is no longer less hassle than piracy now.
Spotify is always my example. Spotify (and Apple Music I assume) is far more convenient, for a modest price, than pirating music.
It’s a shame the TV and movie people can’t seem to learn this. Most music is available on Spotify and Apple and probably other places as well.
They toyed with exclusivity for a while and I’m sure there’s still some stuff that’s exclusive to one or the other, but any time I hear a song and look it up, it’s on Spotify. Done.
Such a contrast to the stupid game of figuring out which streaming service has the show I want.
Most of the music i listen to doesnt exist on Spotify and I think their business model is very predatory against artists. most artists cant pay their bills with Spotify fees, they just need to be on there to get visibility for their actual revenue streams.
I think a better example is bandcamp - it’s actually sustainable for artists and just as convenient as pirating. Plus you get to actually own what you pay for as opposed to Spotify controlling what you can / cant listen to.
I thought they paid barely anything to artists because they are only getting fifteen bucks a month from each subscriber. And their price is restricted because they’re essentially competing (as a business model) with piracy.
The biggest difference there isn't production costs, but the physical costs of maintaining the giant library, in a way that is reasonable streamable at a good cost from any device, with many dubbings, and even video differences per version. Go see how many little differences are there in a random Pixar movie due to localization. The infrastructure per hour watched is relevant, and there's a lot of differences between one is willing to spend on something that is being watched hundreds of thousands of times today, and some 30 year old episode of a series nobody followed. It's a much different production than sending music files over.
Even with licensing costs at zero, the infra of Youtube, the closest thing to Spotify for video, is a very different beast. And I'd argue youtube doesn't go far enough.
This sounds reasonable, but it doesn't seem to reflect reality. The biggest reason that shows are region locked and/or removed from streaming sites are licensing deals, not technical reasons. Movie and TV production companies are the ones pushing for the region locks, and the ones selling limited distribution rights to streaming services.
So, while you are right that video streaming is much more costly than audio streaming, I think GP is overall more correct about the reasoning being production costs rather than anything to do with distribution.
Maybe there's an opportunity for a media host to farm out data for preservation by clients (end users' computers) - what I'm thinking is torrent essentially, where the data-unit is a scene (or a series of frames between n key-frames). Clients get access to that show if they agree to store m chunks. The media repo can sell access whilst only keeping a copy in cold-storage because you can 'popcorn time' the show from the pool of user-clients.
Reduced hot-storage, increased playlist. Sort of media communism but the capitalists still hold the keys?
This can never be legal. When I worked in media streaming the copyright owners were very specific about what we were allowed to store, and wouldn't allow unencrypted files to be transmitted to any other companies.
> Spotify is always my example. Spotify (and Apple Music I assume) is far more convenient, for a modest price, than pirating music.
streaming services do provide some conveniences over manually managing one's own library of music. i feel like "far more" is a sales pitch argument more than something that describes reality (ignoring whether you pirate or legally acquire digital music). i recently cancelled my streaming music service subscription and returned to manually managing my music. i spend maybe one day a week shuffling music on and off of my phone according to what i want to listen to in the moment. i don't really miss being able to call up any song in the world at any point - i make a note to add it to my phone next time i sync and then move on. if i simply have to play something that's not currently on my phone, i can usually find it on bandcamp or youtube without having to pay for a stream or two.
i know it's not for everybody (and trust me, apple doesn't make it particularly easy to do compared to signing up for Apple Music), but it's really not much work to manage your own music and doing so comes with some benefits you forget about when you assume you can and should have instantaneous, frictionless access to most recorded music.
Except that Spotify is now becoming enshittified (battery and UI). When I have to think too much to attempt to use a UI, its time to find alternatives.
As opposed to streaming video services, which, aside from the content they provide, have been shit from day one.
While the web UIs suck compared to local media players, they work well enough that I can cope.
But most services restrict 4K (and at least historically 1080p) web playback, even on Windows with a GPU that supports top-tier hardware DRM and an HDCP display.
My desktop display is a recent 55" LG OLED smart TV, and the streaming service apps on the TV work fine when my attention is devoted to whatever I'm watching, even if they tend to be slightly shittier than the already mediocre web UIs.
But when task switching or multitasking, my only options are reduced video quality, borrowing or purchasing a physical copy if available, or piracy.
Given how quickly everything shows up on public torrent trackers, I struggle to understand why the 4K limitations remain in place, as it obviously doesn't stop whoever uploads the torrents, and there has to be a vanishingly small number of paying customers who'd prefer to crack DRM locally or record HDMI instead of simply downloading the torrent.
Do streaming services get kickbacks from smart device vendors?
IIRC the interview that quote was from came with the story - Russia was seen as a lost cause by the game industry, there was so much piracy that nobody even bothered trying to give legitimate ways to purchase, why invest in distribution when they’ll just pirate? Now of course Steam does heathy business there so that’s obviously not true. But indicates writing off piracy is a self fulfilling prophecy
Steam is still accessible in Russia btw. Sometimes it's spotty, but it's because of Russia's own restrictions, Valve itself is happy to keep doing business there.
> We think there is a fundamental misconception about piracy. Piracy is almost always a service problem and not a pricing problem. If a pirate offers a product anywhere in the world, 24 x 7, purchasable from the convenience of your personal computer, and the legal provider says the product is region-locked, will come to your country 3 months after the US release, and can only be purchased at a brick and mortar store, then the pirate’s service is more valuable.
I don't see any hassle with youtube, but I'm willing to pay.
I do see hassle on things like disney and iplayer, which put now put adverts for shows I don't want to watch in front of Rivals. It's fortunately very rare that happens (on Disney), but its getting close to what I did when Amazon brought that in, and cancelled my subscription. Just like I stopped buying DVDs when they brought adverts in.
I wouldn't have any moral problem in downloading Rivals from piratebay though, as far as I'm concerned I'm paying for it.
But sometimes though there's no option to buy the thing. I want to buy the audio version of "a stitch in time" by Andrew Robinson (Garak from Star Trek).
It's not available in my country on audible -- only the German translation.
I haven't acquired it via other means yet, I'm still on the look out for another supplier which will take my money, and if I can trust that's a legitimate supplier so at least some of my money goes to the copyright holder (and thus pays for the people that create it)
I don't have a CD player so not much use, but technically it is available for £142 from "Paper Cavalier UK". That's second hand, the creator won't make any money from me doing that.
To my mind if someone won't "shut up and take my money", it's acceptable to acquire via another means.
I think he means that you can’t watch regular videos on YouTube unless you use a IP that is easily traceable to a subscriber or a YouTube account that requires everything short of a DNA sample to be valid.
That’s not a problem with YouTube, that’s a problem with the content creator. YouTube Premium accounts actually pay out more per watch than free users, and YouTube also provides a Skip Ahead button that will appear at the start of most ad reads (it’s a bit hit or miss, I think it relies on data from other people scrubbing past them).
YouTube could ban ad reads that aren't tagged, then Premium accounts could get no ads. I guess they're worried that tags would leak and allow 3rd party solutions (like SponsorBlock) to skip more easily.
YouTube could not give less of a shit about people skipping in-video ads, since they don't get paid for those anyway.
It's all about playing the incentive structure. When the party who can stop you from doing something is different from the party who wants to stop you from doing it, nobody will stop you from doing it.
sure but if youtube wanted to, they could force the creators to tag these sections themselves so they are 100% accurate and have an option for the paying customer to skip these automatically. it is within their power
You might be interested in the SponsorBlock[1] browser extension for Firefox and Chromium based browsers. It deals with this issue, and is open source.
>You've saved people from 21,262 segments (5d 18h 50.7 minutes of their lives)
>
>You've skipped 3522 segments (1d 5h 17.4 minutes)
Not just for skipping ads, but also pointless filler like intros and engagement reminders.
I hope someone makes an AI-Block addon, to filter out slop channels based on the same crowd sourcing principle. It's gotten so bad I rarely venture beyond that channels I'm already subscribed to, because those are pre-sloppocalypse.
Refitting is the reverse of removal.
Yes, I have actually already done this.
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