I have struggled with how to get lodged a correction to a CD match which I have in my hands, and which I found digitised track lists for in (of all places) a chinese university music library collection, but which doesn't match the ISBN and other tagging in the musicbrainz DB. It's like they take the "best" match from their US/EU pressings and if you live in asia and have an alternate market and a slightly different combination in the pressing, you're SOL. I am in the asia-pacific. I do have this recording. it does not match what they and discogs have for this CD.
(its a recording of the bach double violin concerto over 2 CDs by Zukerman/Stern/Perlman with other materials, which seem to vary by pressing)
The tooling is great for the mainline. If you have anything on the margins, it can make your collection look very strange. Maybe I missed how the document how to lodge corrections.
Really? I blame the music industry for re-using the barcodes and identity info behind different pressings.
Assuming it's the first link though, here you can already see two versions of this release, a US pressing, and a UK pressing.
To add another, simply look at the right sidebar - there's a link "Add Release" in the editing section (if you're logged in). The wizard should (hopefully) be fairly straightforward after that.
It's neither of these, the listings for these don't include Neville Mariner. It is the same CBS master works branding from Columbia, but dated 1985. It has 15 tracks. On 2 discs.
I will try to add this one.
BTW this ebay item is the disc. I gave tried to match it using musicbrainz search and nothing comes up so I really do think it's another previously uncatalogued compilation. The outer box art says CBS. The CDs themselves say Sony, with a copyright date of 1985 on the cds which I believe is before Sony bought Colombia, which is how CBS masterworks were being branded. The notebook says Columbia (c) Sony 1991. This is usual. This is confusing. It's an Australian manufactured cd burned by disctronics. So it's US and British recordings, owned by american-canadian recording companies, sold on to Japan, and minted in Australia with branding from all 3.
(its a recording of the bach double violin concerto over 2 CDs by Zukerman/Stern/Perlman with other materials, which seem to vary by pressing)
The tooling is great for the mainline. If you have anything on the margins, it can make your collection look very strange. Maybe I missed how the document how to lodge corrections.
Really? I blame the music industry for re-using the barcodes and identity info behind different pressings.